Bedroom Beethovens

Hear stories from notable music-makers on what they sacrificed to create the music you love.

– Bedroom Beethovens

The Conflict of the Faculties

At first glance we seem to be dealing with a double circle: that which is to be proved is already assumed, and we test our assumptions in implementing them. In actual fact, however, this is not self-referential at all; it is a dynamic chain of interactions, transformations, and articulations that may ultimately produce more reality.

Henk Borgdorff, 2012

An Alternate History of the World’s Music

Imagine an anthology of 20th-century music making that purposely ignored pop, rock, jazz, blues, country, classical and opera. Cue outrage, at least from English-speaking listeners. But away from the western canon that has come to dominate our conception of music-making, much of the world was busy creating swathes of very different, extremely beautiful music.

Garth Cartwright

Who Are You Writing For?

Do you have a reader in your mind when you write?

No, you can’t have that.

So it’s quite unlike preaching?

Entirely. The two roles are completely unattached. When you are standing in the pulpit, you must sound as though you know what you’re talking about. When you’re writing, you’re trying to find out something which you don’t know. The whole language of writing for me is finding out what you don’t want to know, what you don’t want to find out. But something forces you to anyway.

[ James Baldwin, in “The Art of Fiction No. 78”, Paris Review, Issue 91, Spring 1984 ]

Source: Daana Townsend – @retrosoul